A Celebration of Waterloo: Apsley House, Number One London – By Susana Ellis

I’m thrilled to have the wonderful Susana Ellis visiting my blog today! She is sharing a little information about the Duke of Wellington’s home and her fabulous story Lost and Found Lady found in Beaux, Ballrooms, and Battles, an anthology of Waterloo-themed stories.

Thank you so much, Susana, for sharing this wonderful post and beautiful excerpt from your story.

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Wellington’s London townhouse, located on the corner of Hyde Park, is open to the public as a museum and art gallery.

Number One London. The origin of the name came from the fact that this is the first house visitors from the countryside would pass upon entering through the toll gates at Knightsbridge.

Apsley House. The name comes from the first owner, Lord Apsley, the Lord Chancellor, who contracted Robert Adam to build it between 1771 and 1778. In 1807, it was purchased by Richard Wellesley, the 1st Marquess Wellesley, who in 1817 sold it to his younger brother, the Duke of Wellington.  Some of Adam’s interiors still survive: the circular staircase, the drawing room with its semi-circular end, and the Portico Room.

PICADILLY_DRAWING_ROOM

In 1819 Wellington added a three-story extension, housing a State Dining Room, bedrooms, and dressing rooms. In 1828 when his political career blossomed, included a new staircase and the Waterloo Gallery. The original red brick exterior was covered in Bath stone and a pedimented portico added.

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Over the years, the house has been essentially maintained in the original style and décor of the 1st Duke of Wellington.

Wellington Museum

The Duke of Wellington received many gifts from the grateful heads of state of Europe following the Allied victory over Napoleon:

  • A pair of large candelabra of Siberian porphyry, ormolu & Malachite centre and two side tables, presented by Nicholas I of Russia
  • A pair of Swedish porphyry urns, from King Charles XIV John of Sweden
  • A dinner service of Berlin porcelain, from Frederick William III of Prussia.
  • The Egyptian revival decorative arts dinner service of Sèvres porcelain, from Louis XVIII of France
  • The silver and silver-gilt Portuguese service of over a thousand pieces, from the Portuguese Council of Regency
  • The Saxon Service of Meissen porcelain, from Frederick Augustus I of Saxony.
  • Seven marshal’s batons from various European continental rulers (and another three from the British). Nine of them are on display at Apsley House (the Russian baton was stolen in the 1960s)

PORTUGUESESILVERCENTERPIECE

Included in the collection of 200 paintings are 83 paintings that were part of a collection of 300 that were discovered in Joseph Bonaparte’s baggage in the aftermath of the Battle of Vitoria in 1813. The duke decided to return the paintings after the war, and a grateful King Ferdinand VII returned 83 of them. These include four paintings by Diego Velásquez, one by Francisco Goya, three by Bartolomé Esteban Murillo, and three by Jusepe de Ribera.

WATERLOOGALLERY

 

2014 Post on Susana’s Parlour (before I knew I would be writing my own Waterloo-themed romance): https://susanaellisauthor.wordpress.com/2014/06/23/apsley-house-celebrates-the-199th-anniversary-of-the-victory-of-waterloo/

Beaux, Ballrooms, and Battles

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A Celebration of Waterloo

June 18, 1815 was the day Napoleon Bonaparte’s Grande Armée was definitively routed by the ragtag band of soldiers from the Duke of Wellington’s Allied Army in a little Belgian town called Waterloo. The cost in men’s lives was high—22,000 dead or wounded for the Allied Army and 24,000 for the French. But the war with Napoleon that had dragged on for a dozen years was over for good, and the British people once more felt secure on their island shores.

The bicentenary of the famous battle seemed like an excellent opportunity to use that setting for a story, and before I knew it, I had eight other authors eager to join me, and to make a long story short, on April 1, 2015 our Waterloo-themed anthology was released to the world. 

You are all invited to

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Our Stories

 

Jillian Chantal: Jeremiah’s Charge

Emmaline Rothesay has her eye on Jeremiah Denby as a potential suitor. When Captain Denby experiences a life-altering incident during the course of events surrounding the Battle of Waterloo, it throws a damper on Emmaline’s plans.

Téa Cooper: The Caper Merchant

The moon in Gemini is a fertile field of dreams, ideas and adventure and Pandora Wellingham is more than ready to spread her wings. When Monsieur Cagneaux, caper merchant to the rich and famous, introduces her to the handsome dragoon she believes her stars have aligned.

Susana Ellis: Lost and Found Lady

Catalina and Rupert fell in love in Spain in the aftermath of a battle, only to be separated by circumstances. Years later, they find each other again, just as another battle is brewing, but is it too late?

Aileen Fish: Captain Lumley’s Angel

Charged with the duty of keeping his friend’s widow safe, Captain Sam Lumley watches over Ellen Staverton as she recovers from her loss, growing fonder of her as each month passes. When Ellen takes a position as a companion, Sam must confront his feelings before she’s completely gone from his life.

Victoria Hinshaw: Folie Bleue

On the night of the 30th Anniversary of the Battle of Waterloo, Aimée, Lady Prescott, reminisces about meeting her husband in Bruxelles on the eve of the fighting. She had avoided the dashing scarlet-clad British officers, but she could not resist the tempting smile and spellbinding charm of Captain Robert Prescott of the 16th Light Dragoons who— dangerously to Aimée— wore blue.

Heather King: Copenhagen’s Last Charge

When Meg Lacy finds herself riding through the streets of Brussels only hours after the Battle of Waterloo, romance is the last thing on her mind, especially with surly Lieutenant James Cooper. However, their bickering uncovers a strange empathy – until, that is, the lieutenant makes a grave error of judgment that jeopardizes their budding friendship…

Christa Paige: One Last Kiss

The moment Colin held Beatrice in his arms he wanted one last kiss to take with him into battle and an uncertain future. Despite the threat of a soldier’s death, he must survive, for he promises to return to her because one kiss from Beatrice would never be enough.

Sophia Strathmore: A Soldier Lay Dying

Amelia and Anne Evans find themselves orphaned when their father, General Evans, dies. With no other options available, Amelia accepts the deathbed proposal of Oliver Brighton, Earl of Montford, a long time family friend. When Lord Montford recovers from his battle wounds, can the two find lasting love?

David W. Wilkin: Not a Close Run Thing at All

Years, a decade. And now, Robert had come back into her life. Shortly before battle was to bring together more than three hundred thousand soldiers. They had but moments after all those years, and now, would they have any more after?

About Lost and Found Lady

On April 24, 1794, a girl child was born to an unknown Frenchwoman in a convent in Salamanca, Spain. Alas, her mother died in childbirth, and the little girl—Catalina—was given to a childless couple to raise.

Eighteen years later…the Peninsular War between the British and the French wages on, now perilously near Catalina’s home. After an afternoon yearning for adventure in her life, Catalina comes across a wounded British soldier in need of rescue. Voilà! An adventure! The sparks between them ignite, and before he returns to his post, Rupert promises to return for her.

But will he? Catalina’s grandmother warns her that some men make promises easily, but fail to carry them out. Catalina doesn’t believe Rupert is that sort, but what does she know? All she can do is wait…and pray.

But Fate has a few surprises in store for both Catalina and Rupert. When they meet again, it will be in another place where another battle is brewing, and their circumstances have been considerably altered. Will their love stand the test of time? And how will their lives be affected by the outcome of the conflict between the Iron Duke and the Emperor of the French?

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Excerpt

September 14, 1793

A beach near Dieppe, France

“I don’t like the look of those clouds, monsieur,” Tobias McIntosh said in fluent French to the gray-bearded old man in a sailor hat waiting impatiently near the rowboat that was beginning to bob more sharply with each swell of the waves. “Are you sure your vessel can make it safely all the way to Newhaven in these choppy seas?”

The old man waved a hand over the horizon. “La tempête, it is not a threat, if we leave immédiatement. Plus tard…” He shrugged. “Je ne sais pas.”

“Please, mon amour,” pleaded the small woman wrapped in a hooded gray cloak standing at his side. “Allow me to stay with you. I don’t want to go to England. I promise I will be prudent.”

A strong gust of wind caught her hood and forced it down, revealing her mop of shiny dark locks. Tobias felt like seizing her hand and pulling her away from the ominous waves to a place of safety where she and their unborn child could stay until the senseless Terreur was over.

“Justine, ma chère, we have discussed this endlessly. There is no place in France safe enough for you if your identity as the daughter of the Comte d’Audet is discovered.” He shivered. “I could not bear it if you were to suffer the same fate at the hands of the revolutionaries as your parents did when I failed to save them.

She threw her arms around him, the top of her head barely reaching his chin. “Non, mon amour, it was not your fault. You could not have saved them. It was miraculeux that you saved me. I should have died with them.”

She looked up to catch his gaze, her face ashen. “Instead, we met and have had three merveilleux months together. If it is my time to die, I wish to die at your side.”

Tobias felt like his heart was going to break. His very soul demanded that the two of them remain together and yet… there was a price on both their heads, and the family of the Vicomte Lefebre was waiting for him in Amiens, the revolutionaries expected to reach them before midday. It was a dangerous work he was involved in—rescuing imperiled French nobility from bloodthirsty, vengeful mobs—but he had pledged himself to the cause and honor demanded that he carry on. And besides, there was now someone else to consider.

“The child,” he said with more firmness than he felt. “We have our child to consider, now, Justine ma chère. The next Earl of Dumfries. He must live to grow up and make his way in the world.”

Not to mention the fact that Tobias was human enough to wish to leave a child to mark his legacy in the world—his and Justine’s. He felt a heaviness in his heart that he might not live long enough to know this child he and Justine had created together. He could not allow his personal wishes to undermine his conviction. Justine and the child must survive.

Justine’s blue eyes filled with tears. “But I cannot! I will die without you, mon cher mari. You cannot ask it of me!”

“Justine,” he said, pushing away from her to clasp her shoulders and look her directly in the eye. “You are a brave woman, the strongest I have ever known. You have survived many hardships and you can survive this. Take this letter to my brother in London, and he will see to your safety until the time comes that I can join you. My comrades in Newhaven will see that you are properly escorted.”

He handed over a letter and a bag of coins. “This should be enough to get you to London.”

After she had reluctantly accepted and pocketed the items beneath her cloak, he squeezed her hands.

“Be sure to eat well, ma chère. You are so thin and my son must be born healthy.”

She gave him a feigned smile. “Our daughter is the one responsible for my sickness in the mornings… I do not believe she wishes me to even look at food.”

She looked apprehensively at the increasingly angry waves as they tossed the small boat moored rather loosely to a rock on the shore and her hands impulsively went to her stomach.

“Make haste, monsieur,” the old sailor called as he peered anxiously at the darkening clouds. “We must depart now if we are to escape the storm. Bid your chère-amie adieu maintenant or wait for another day. I must return to the bateau.”

“Tobias,” she said, her voice shaking.

He wondered if he would ever again hear her say his name with that adorable French inflection that had drawn him from their first meeting.

“Go, Justine. Go to my family and keep our child safe. I promise I will join you soon.”

He scooped her up in his arms and carried her toward the dinghy, trying to ignore her tears. The old sailor held the boat as still as he could while Tobias placed her on the seat and kissed her hard before striding back to the shore, each footstep heavier than the last.

He studied the darkening sky as the sailor climbed in the boat. “You are sure it is safe?”

“La Chasseresse, she is très robuste. A few waves will not topple her, monsieur.”

“Je t’aime, mon amour,” she said to him plaintively, her chin trembling.

“Au revoir, ma chère,” he said, trying to smile, although his vision was blurring from tears.

Will I ever see her again?

He stood watching as the dinghy made its way slowly through the choppy sea to the larger ship anchored in the distance, grief-stricken and unable to concentrate on anything but his pain. When the ship finally sailed off into the horizon, he fell to his knees and prayed as he had never done before for the safety of his beloved. He remained in that position until drops of rain on his face reminded him of the Lefebre family waiting for him in Amiens.

With a deep breath, he rose and made his way to the nearby forest, where his horse waited, tied to a tree.

“Come, my friend. We have a long, wet journey ahead of us.”

Setting foot in the stirrup, he swung his leg over the saddle and urged the horse to a gallop, feeling his heart rip into pieces with every step away from his beloved.

About the Author

Susana has always had stories in her head waiting to come out, especially when she learned to read and her imagination began to soar. Voracious reading led to a passion for writing, and her fascination with romance and people of the past landed her firmly in the field of historical romance.

A teacher in her former life, Susana lives in Toledo, Ohio in the summer and central Florida in the winter. She is a member of the Central Florida Romance Writers and the Beau Monde chapters of RWA and Maumee Valley Romance Inc.

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Theresa Romain on Writing and Her New Regency Romance – To Charm a Naughty Countess

Excitement city! Theresa Romain is visiting my blog today AND she is giving away her latest release To Charm a Naughty Countess to one lucky commenter from the US or Canada! Theresa is an amazing writer. I’m in awe of her.  She performs magic on words and stories. When she agreed to visit my blog, I took the opportunity to pick her brilliant brain.

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CAN A RECLUSIVE DUKE…
Brilliant but rumored mad, Michael Layward, the impoverished Duke of Wyverne, has no success courting heiresses until widowed Lady Stratton takes up his cause–after first refusing his suit.
WIN LONDON’S MOST POWERFUL COUNTESS?
Caroline Graves, the popular Countess of Stratton, sits alone at the pinnacle of London society and has vowed never to remarry. When Michael–her counterpart in an old scandal–returns to town after a long absence, she finds herself as enthralled with him as ever. As she guides the anxiety-ridden duke through the trials of society, Caroline realizes that she’s lost her heart . But if she gives herself to the only man she’s ever loved, she’ll lose the hard-won independence she prizes above all.

 In print: amazon • barnes & noble • book depository • books-a-million • chapters indigoindiebound • powell’s • posman • sourcebooks • walmart • watermark Ebook: kindle • nook • ibook

To Charm a Naughty Countess features a socially astute heroine and a logic-driven, socially backwards hero.  Yet, as with all your characters, they are completely sympathetic and complex.  How did you conceive and develop Caroline and Michael? 

 Thank you for hosting me today, Susanna! And thanks for your kind words about Caroline and Michael. I’m really glad you enjoyed their story.

 To Charm a Naughty Countess is the second book in my Matchmaker trilogy, and Caroline actually appears as a secondary character in the first book (It Takes Two to Tangle). As a popular and wealthy widow, she seems to have everything a woman in Regency society could want. But she didn’t marry for love and she’s never had a real romantic relationship—and in ITTT, there’s one brief scene in her point of view that reveals how lonely she is. Caroline’s character journey is to figure out what will really satisfy her heart and contribute to her sense of worth.

As for Michael’s character, you could describe him in a nutshell as “Caroline’s opposite.” Where she’s socially accomplished but rudderless, Michael has an unshakeable sense of purpose. He’s a duke, and he has dedicated himself to the careful stewardship of his dukedom. But outside of that, when there’s no plan or script or ledger, he has no idea how to act. Social interactions seem like a time-sucking mystery to him.

As the story progresses, though, they prove not to be quite as opposite as they seemed at first. By the end of the story, both Caroline and Michael are stronger than they were at the beginning. And I hope they bring out the best in each other, too.

TheresaRomain

You write deep novels with less action and more dialogue and inner exploration. How did you plan this novel?

 I started with two ideas in mind.

1. Since the first book in the trilogy took place in 1815, the second would take place in 1816. That was known as “The Year Without a Summer,” and I wanted the terrible cold (due to the ash cloud from a huge volcanic eruption) to drive the story.

2. I wanted to write a virgin hero. I hadn’t done that before, and a virgin hero seemed like a good counterpoint to Caroline, who’s had some love affairs.

So you could say first I bashed the hero into a real-life historical event, and then I bashed him into the heroine. The character of Michael was shaped by both of those things, and the plot of the novel—a Pygmalion story in which he hunts for a wealthy bride after the endless winter causes crop failures—arose from there. I guess my plots tend to be driven by characters rather than the other way around. Exploring character is, to me, one of the most interesting things about writing romance.

Your prose is just stunning. Did you always want to be a fiction writer?  What other authors do you admire and have influenced your style?

Wow—well, thank you very much! That means a lot, coming from you. (Readers: if you haven’t read Susanna’s novels, grab them. The history is rock-solid and the characters are hilarious.)

Actually, I never expected to be a fiction writer. My older sister liked to write stories as a kid, and since I idolized her I tried writing them too. Blech. I did not enjoy writing at all; there were just no stories I wanted to tell. At the time, I much preferred to read or draw horses.

In college, I got an English degree by taking all of the literature classes and none of the creative writing classes. Nonfiction seemed to be my skill set, and writing NF got me through grad school, into my first post-graduation job, and even my first book. After years of NF, I was a little burned out, so in my spare time I started writing fiction. (Apparently “not writing anymore” was not an option?)

Learning to write fiction was like learning to write, period. I hadn’t expected it to be so different from writing NF, and it took me a long time to figure out my fiction voice. That happened over the course of years—and is probably still happening—as I read a lot, wrote a lot, and revised a lot. All my reading in British literature and history in college definitely influenced me, as did a slew of romance writers ranging from Jane Austen to Julia Quinn.

What was the hardest part in the development of this book? What was the easiest?

The easiest part was the plot. I know, I know: I said usually my characters inform plot, and it is true. But having a specific historical event—the Year Without a Summer—to hook plot details onto really helped shaped the story structure. Halfway through the book, the story shifts from London to Lancashire, and that new setting helped keep the story clicking along in my imagination.

The most difficult part was figuring out Caroline’s attitude toward Michael at the beginning of the story. I must have gone through seventy million drafts (conservative estimate), striking different tones in those first few chapters. Should she be flirtatious? Resentful? Offended? Cavalier? After all, these two have something. In the end, I think she wound up being pretty pragmatic, which is something the oh-so-logical Michael would respect and respond to well.

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Thanks for the great questions, Susanna. Now I have one for readers. The first thing that catches Michael’s eye is Caroline’s social brilliance; the first thing that catches hers is his sense of purpose. (Ok, yes, they each think the other is easy on the eyes, too.) What qualities make you like a character or want to stick with a story? One random commenter will win a copy of To Charm a Naughty Countess! Open to US and Canadian addresses.

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Historical romance author Theresa Romain pursued an impractical education that allowed her to read everything she could get her hands on. She then worked for universities and libraries, where she got to read even more. Eventually she started writing, too. She lives with her family in the Midwest, where she is working on her next book.

Website: http://theresaromain.com

Facebook: http://www.facebook.com/AuthorTheresaRomain

Twitter: @TheresaRomain