Don’t Let Your Ball Guests Be Wallflowers Or Drapery!

I have several excerpts about ball etiquette on this blog. But given how many balls I must attend during my hectic social season, I like to keep brushed up on proper deportment. (Full disclosure, I’ve attended zero balls, and I don’t have a hectic social season … or any social season for that matter) Therefore, I’m piqued by Etiquette for Ladies: With Hints on the Preservation, Improvement, and Display of Female Beauty because it was published in 1838 in Philadelphia, which makes it a relatively early “how-to” etiquette book. If you enjoy historical romances, you probably won’t find any new information here. However, it’s still an amusing, brief read.

Please note, in the past, I’ve tried to post images that reflect the timeframe and location of what I’m excerpting. I’m no longer going to do that because, simply, it’s not fun for me. This is my Floating World, which is about pleasure, imagination, and entertainment, and there are so many wonderful images that I want to share. So going forward, I’m posting images that reflect the spirit of the text.

alls, Concerts, and Evening Parties

These amusements presuppose a fortune and good ton; the practice of society, therefore, and consequently a forgetfulness of the precepts of politeness in respect to them, would be truly preposterous.

When you wish to give a dance, you send out invitations a week beforehand, that the ladies may have time to prepare articles for their toilet.

If it is to be a simple evening party, in which we may wear a summer walking-dress, the mistress of the house gives verbal invitations, and does not omit to apprise her friends of this circumstance, or they might appear in unsuitable dresses. If, on the contrary, the soirée is to be in reality a ball, the invitations are written, or what is better, printed, and expressed in the third person.

 W. E. B. Du Bois collection

A room appropriated for the purpose, and furnished with cloak-pins to hang up the shawls and other dresses of the ladies, is almost indispensable. Domestics should be there also, to aid them in taking off and putting on their outside garments.

We are not obliged to go exactly at the appointed hour; it is even fashionable to go an hour later. Married ladies are accompanied by their husbands; unmarried ones, by their mother, or by a chaperon. These last ladies place themselves behind the dancers; the master of the house then goes before one and another, procures seats for them, and mingles again among the gentlemen who are standing, and who form groups or walk about the room.

A lady cannot refuse the invitation of a gentleman to dance, unless she has already accepted that of another, for she would be guilty of an in civility which might occasion trouble; she would, moreover, seem to show contempt for him whom she refused, and would expose herself to receive in secret an ill compliment from the mistress of the house.

Alfred Stevens 
After The Ball

Married or young ladies, cannot leave a ballroom, or any other party, alone. The former should be accompanied by one or two other married ladies, and the latter by their mother, or by a lady to represent her.

Ladies should avoid talking too much; it will occasion remarks. It has also a bad appearance to whisper continually in the ear of your partner.

The master of the house should see that all the ladies dance; he should take notice particularly of those who seem to serve as drapery to the walls of the ball-room, (or wall-flowers, as the familiar expression is,) and should see that they are invited to dance. But he must do this wholly unperceived, in order not to wound the self-esteem of the unfortunate ladies.

Gentlemen whom the master of the house requests to dance with these ladies, should be ready to accede to his wish, and even appear pleased at dancing with a person thus recommended to their notice.

Ladies who dance much, should be very careful not to boast before those who dance but little or not at all, of the great number of dances for which they are engaged in advance. They should also, without being perceived, recommend to these less fortunate ladies, gentlemen of their acquaintance.

The End of the ball
Rogelio de Egusquiza

In giving the hand for ladies’ chain or any other figures, those dancing should wear a smile, and accompany it with a polite inclination of the head, in the manner of a salutation. At the end of the dance, the gentleman reconducts the lady to her place, bows and thanks her for the honour which she has conferred. She also bows in silence, smiling with a gracious air.

In these assemblies, we should conduct ourselves with reserve and politeness towards all present, although they may be unknown to us.

Persons who have no ear for music, that is to say, a false one, ought to refrain from dancing. Never hazard taking part in a quadrille, unless you know how to dance tolerably; for if you are a novice, or but little skilled, you would bring disorder into the midst of pleasure. Being once engaged to take part in a dance, if the figures are not familiar, be careful not to advance first. You can in this way govern your steps by those who go before you. Beware, also, of taking your place in a set of dancers more skillful than yourself. When an unpractised dancer makes a mistake, we may apprize him of his error; but it would be very impolite to have the air of giving him a lesson.

Dance with grace and modesty, neither affect to make a parade of your knowledge; refrain from great leaps and ridiculous jumps, which would attract the attention of all towards you.

In a private ball or party, it is proper to show still more reserve, and not manifest more preference for one gentleman than another; you should dance with all who ask properly.

"Ukiyo-e depicting ballroom dancing at the Rokumeikan, Tokyo, Japan, 1888"

In public balls, a gentleman offers his partner refreshments, but which she very seldom accepts, unless she is well acquainted with him. But in private parties, the persons who receive the company, send round cake and other refreshments, of which every one helps themselves. Near the end of the evening, in a well regulated ball, it is customary to have a supper; but in a soirée, without great preparation, we may dispense with a supper; refreshments are, however, necessary; and not to have them would be the greatest impoliteness.

We should retire incognito, in order not to disturb the master and mistress of the house; and we should make them, during the week, a visit of thanks, at which we may converse of the pleasure of the ball, and the good selection of the company.

The proprieties in deportment, which concerts require, are little different from those which are recognised in every other assembly, or in public exhibitions, for concerts partake of the one and the other, according as they are public or private. In private concerts, the ladies occupy the front seats, and the gentlemen are generally in groups behind, or at the side of them. We should observe the most profound silence, and refrain from beating time, humming the airs, applauding, or making ridiculous gestures of admiration. It often happens that a dancing soirée succeeds a concert, and billets of invitation, distributed two or three days beforehand, should give notice of it to the persons invited.

Pierre-Georges Jeanniot.

Be rarely seen at public places.

Never appear at balls whilst in mourning.

If you give a ball, dance in it rarely.

1860s French Fashions and English Ballroom Etiquette

I found some great images by French photographer André-Adolphe-Eugène Disdéri at The Metropolitan Museum of Art and Wikimedia Commons. Rather than create a huge picture gallery, I’m adding an excerpt on ballroom etiquette found in Routledge’s Manual of Etiquette published in 1875 (although similar versions were around in the 1860s.) Click on an image to enlarge.

s the number of guests at a dinner-party is regulated by the size of the table, so should the number of invitations to a ball be limited by the proportions of the ball-room. A prudent hostess will always invite a few more guests than she really desires to entertain, in the certainty that there will be some deserters when the appointed evening comes round; but she will at the same time remember that to overcrowd her room is to spoil the pleasure of those who love dancing, and that a party of this kind when too numerously attended is as great a failure as one at which too few are present.

A room which is nearly square, yet a little longer than it is broad, will be found the most favourable for a ball. It admits of two quadrille parties, or two round dances, at the same time. In a perfectly square room this arrangement is not so practicable or pleasant. A very long and narrow room is obviously of the worst shape for the purpose of dancing, and is fit only for quadrilles and country dances.

The top of the ball-room is the part nearest the orchestra. In a private room, the top is where it would be if the room were a dining-room. It is generally at the farthest point from the door. Dancers should be careful to ascertain the top of the room before taking their places, as the top couples always lead the dances.

A good floor is of the last importance in a ball-room. In a private house. nothing can be better than a smooth, well-stretched holland, with the carpet beneath.

Abundance of light and free ventilation are indispensable to the spirits and comfort of the dancers.

Good music is as necessary to the prosperity of a ball as good wine to the excellence of a dinner. No hostess should tax her friends for this part of the entertainment. It is the most injudicious economy imaginable. Ladies who would prefer to dance are tied to the pianoforte; and as few amateurs have been trained in the art of playing dance music with that strict attention to time and accent which is absolutely necessary to the comfort of the dancers, a total and general discontent is sure to result. To play dance music thoroughly well is a branch of the art which requires considerable practice. It is as different from every other kind of playing as whale fishing is from fly fishing. Those who give private balls will do well ever to bear this in mind, and to provide skilled musicians for the evening. For a small party, a piano and cornopean make a very pleasant combination. Unless where several instruments are engaged, we do not recommend the introduction of the violin : although in some respects the finest of all solo instruments, it is apt to sound thin and shrill when employed on mere inexpressive dance tunes, and played by a mere dance player.

Invitations to a ball should be issued in the name of the lady of the house, and written on small note paper of the best quality. Elegant printed forms, some of them printed in gold or silver, are to be had at every stationer’s by those who prefer them. The paper may be gilt-edged, but not coloured. The sealing-wax used should be of some delicate hue. An invitation to a ball should be sent out at least ten days before the evening appointed. A fortnight, three weeks, and even a month may be allowed in the way of notice.

Not more than two or three days should be permitted to elapse before you reply to an invitation of this kind. The reply should always be addressed to the lady of the house, and should be couched in the same person as the invitation. The following are the forms generally in use :—

The old form of “presenting compliments” is now out of fashion.

The lady who gives a ball (It will be understood that we use the word “ball” to signify a private party, where there is dancing, as well as a public ball) should endeavour to secure an equal number of dancers of both sexes.  Many private parties are spoiled by the preponderance of young ladies, some of whom never get partners at all, unless they dance with each other.

A room should in all cases be provided for the accommodation of the ladies. In this room there ought to be several looking-glasses; attendants to assist the fair visitors in the arrangement of their hair and dress; and some place in which the cloaks and shawls can be laid in order, and found at a moment’s notice. It is well to affix tickets to the cloaks, giving a duplicate at the same time to each lady, as at the public theatres and concert-rooms. Needles and thread should also be at hand, to repair any little accident incurred in dancing.

Another room should be devoted to refreshments, and kept amply supplied with coffee, lemonade, ices, wine, and biscuits during the evening. Where this cannot be arranged, the refreshments should be handed round between the dances.

The question of supper is one which so entirely depends on the means of those who give a ball or evening party, that very little can be said upon it in a treatise of this description. Where money is no object, it is of course always preferable to have the whole supper, “with all appliances and means to boot,” sent in from some first-rate house. It spares all trouble whether to the entertainers or their servants, and relieves the hostess of every anxiety. Where circumstances render such a course imprudent, we would only observe that a home-provided supper, however simple, should be good of its kind, and abundant in quantity. Dancers are generally hungry people, and feel themselves much aggrieved if the supply of sandwiches proves unequal to the demand.

Great inconvenience is often experienced through the difficulty of procuring cabs at the close of an evening party. Gentlemen who have been dancing, and are unprepared for walking, object to go home on foot, or seek vehicles for their wives and daughters. Female servants who have been in attendance upon the visitors during a whole evening ought not to be sent out. If even men-servants are kept, they may find it difficult to procure as many cabs as are necessary. The best thing that the giver of a private ball can do under these circumstances, is to engage a policeman with a lanthorn to attend on the pavement during the evening, and to give notice during the morning at a neighbouring cab-stand, so as to ensure a sufficient number of vehicles at the time when they are likely to be required.

A ball generally begins about half-past nine or ten o’clock.

To attempt to dance without a knowledge of dancing is not only to make one’s self ridiculous, but one’s partner also. No lady has a right to place a partner in this absurd position.

Never forget a ball-room engagement. To do so is to commit an unpardonable offence against good breeding.

On entering the ball-room, the visitor should at once seek the lady of the house, and pay her respects to her. Having done this, she may exchange salutations with such friends and acquaintances as may be in the room.

No lady should accept an invitation to dance from a gentleman to whom she has not been introduced. In case any gentleman should commit the error of so inviting her, she should not excuse herself on the plea of a previous engagement, or of fatigue, as to do so would imply that she did not herself attach due importance to the necessary ceremony of introduction. Her best reply would be to the effect that she would have much pleasure in accepting his invitation, if he would procure an introduction to her. This observation may be taken as applying only to public balls. At a private party the host and hostess are sufficient guarantees for the respectability of their guests; and although a gentleman would show a singular want of knowledge of the laws of society in acting as we have supposed, the lady who should reply to him as if he were merely an impertinent stranger in a public assembly-room would be implying an affront to her entertainers. The mere fact of being assembled together under the roof of a mutual friend is in itself a kind of general introduction of the guests to each other.

An introduction given for the mere purpose of enabling a lady and gentleman to go through a dance together does not constitute an acquaintanceship. The lady is at liberty to pass the gentleman in the park the next day without recognition.

It is not necessary that a lady should be acquainted with the steps, in order to walk gracefully and easily through a quadrille. An easy carriage and a knowledge of the figure is all that is requisite. A round dance, however, should on no account be attempted without a thorough knowledge of the steps, and some previous practice. No person who has not a good ear for time and tune need hope to dance well.

No lady should accept refreshments from a stranger at a public ball; for she would thereby lay herself under a pecuniary obligation. For these she must rely on her father, brothers, or old friends.

Good taste forbids that a lady should dance too frequently with the same partner at either a public or private ball. Engaged persons should be careful not to commit this conspicuous solecism.

Engagements for one dance should not be made while the present dance is yet in progress.

Never attempt to take a place in a dance which has been previously engaged.

Withdraw from a private ball-room as quietly as possible, so that your departure may not be observed by others, and cause the party to break up. If you meet the lady of the house on your way out, take your leave of her in such a manner that her other guests may not suppose you are doing so ; but do not seek her out for that purpose.

Never be seen without gloves in a ball-room, though it were for only a few moments. Ladies who dance much and are particularly soigné in matters relating to the toilette, take a second pair of gloves to replace the first when soiled.

A thoughtful hostess will never introduce a bad dancer to a good one, because she has no right to punish one friend in order to oblige another.

It is not customary for married persons to dance together in society.