More Victorian Love Letters and the Basics of Postage Stamp Flirtation

It’s been two long weeks since I last posted an excerpt from The Mystery of Love, Courtship and Marriage Explained by Henry J Wehman.  I feel a sadness in my heart that only a love letter from Mr. Wehman can dispel.  Gentle reader, I have a terrible confession to make: I have missed a very important detail in the art of Victorian love letter writing and that is postage stamp flirtation. My letters might have said, “I love you,” but my straight up and down stamps said, “Goodbye, sweetheart.”  Luckily, Mr. Wehman has set me straight on this count.

Once again, I have included images from Cassell’s Family Magazine published in 1886, four years before the The Mystery of Love. I just adore Cassell’s.  In the very near future, I will include one of its short stories on this blog.

 

Excerpt of sample love letters from  The Mystery of Love, Courtship and Marriage Explained:

From a poor young man to a rich young lady whom he had only seen but a few times:

 Dear Miss W— ;

 You will no doubt be surprised to receive a letter from one who is almost a total stranger to you, but I hope you will pardon me for my boldness when I tell you how truly, how deeply I love you. Perhaps prudence would dictate that I should, for the present, at least, withhold this confession, but my heart is impatient and will not be quieted until I have made you acquainted with its secret. I am aware that the suddenness of my passion may awaken the suspicion that it is only a shallow and transient feeling, but I am sure that you have won my whole heart, and what more could you do were those charms of yours, which have so easily captivated me, to shine before me for years? Love is not a vegetable that it must grow nor is it a thing of logic that it must depend upon sequences and conclusions; but it is a passion of the soul, which may, like thought, be born in an instant, especially in the presence of beauty and accomplishments such as you possess.

All I expect in answer to this, I fear, imprudent note, is some intimation that I may dare to hope that I do not live without hope. Give me but an opportunity to prove myself worthy of the infinite happiness which your love would bestow, and there is no impossibility I would not achieve to obtain it. Indeed, since the first night I saw you, the perfection and the constellation of charms that shine in your person have filled my heart and brain so full that I can do nothing but think of you all day and dream of you all night. I cannot imagine any happiness for myself in the future which is not identified with you.

If your heart is yet free, and if you do not find objections to answering this note, I entreat you to deal with me with the same direct frankness that I have used in addressing you.

I am, with great respect and devoted love,

Henry B—.

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The Victorian Language of Flowers, How to Write a Victorian Love Letter, and Parasol Flirtations

Language of Flowers

Once again, I am excerpting from what is becoming my favorite campy antique book, The Mystery of Love, Courtship and Marriage Explained, 1890.

The Language Of Flowers

Arbor Vitæ — Unchanging friendship.
Apple Blossom — My preference.
Alyssum — Worth above beauty.
Aspen Tree — Sorrow.
Blue Canterbury Bell — Fidelity.
China Pink — Hate.
Coreopsis — Love at first sight.
Dead Leaves — Heavy heart.
Forget-me-not — True love.
Geranium — Lost hope.
Hazel – Let us bury the hatchet.
Hawthorn — Hope.
Heliotrope — You are loved.
Ivy — Friendship.
Lily Of The Valley — Happy again.
Linden Tree — Marriage.
Marigold — I am jealous.
Myrtle — Unalloyed affection.
Pansy —Think of me.
Pea — Meet me by moonlight.
Peach Blossom — My heart is thine.
Phlox — Our souls are united.
Pink, red — Woman’s love.
Rose — Perfect beauty.
Rose-Bud — My heart knows no love.
Rose Geranium — You are preferred.
Sweet William — Let this be our last.
Tulip — Declare your love.
Wallflower — You will find me true.
Yellow Lily — You are a coquette.

*For a more comprehensive list, see The Language of Flowers by Kate Greenaway.

More Victorian Love Letters

From a young man to a young lady whom he has known some time.

To Miss Maggie Holmes,

Dear Maggie:- When I began to love you I did not know what ills I was preparing for myself. The fear of hopeless passion has at times depressed me with despair, and yet the object of my adoration is such an inestimable prize that all the energy of my being forces me to strive for it. Since I first met you the world has changed its aspect. Some secret charm enlivens every object; all nature seems animated with the genial warmth of love. Your beautiful image is always before me; neither time nor place can deprive me of it, and it appears still more enchanting with each recurring vision. I wait with impatience the happy moment when I can see you again. You are surrounded by your family and friends, who adore you. You are the ornament of society and the admired representative of a nation. Alas! I have so little to offer in exchange for all these. But you are essential to my happiness, and if you will accept my love and become my wife I shall be inspired with new hopes and endeavors. It shall be the chief effort of my life to make you happy. Sincerely, H. Edward Charles

Favorable Reply to the Foregoing

To H. Edward Charles: Your kind and manly letter opens my eye to the fact that what I believed to be only a warm friendship is a stronger feeling. I see that it would be a pain to me to lose your visits and presence, and that such love as you promise your wife would make me very happy. You see that I answer you frankly, deeming it wrong to trifle with such an affection as you offer to me.  

I have shown your letter to my parents, and they desire me to say that they will be pleased to have you call this evening to see them. With kindest regards, I am,

Ever yours truly,

Maggie Holmes

Parasol Flirtations

Carrying elevated in left hand — Desiring acquaintance.
Carrying elevated in right hand —  You are too willing.  
Carrying closed in left hand — Meet on the first crossing.
Carrying closed in right hand, by your side  — Follow me.
Swinging to and fro by the handle on left side  — Engaged.
Swinging to and fro by the handle on right side  — Married.
Striking it on the hand — I am very much displeased.
Tapping the chin gently — I am in love with another.
Using it as a fan —  Introduce me to your company.
Twirling it around  — Be careful! We are watched.
Carrying over right shoulder  — You can speak to me.
Carrying over left shoulder. — You are too cruel.
Carrying in front of you  — No more at present.
Closing it up — I wish to speak to you, love.
Folding up  — Get rid of your company.
Letting it rest on right cheek  — Yes.
Letting it rest on left cheek  — No.
With handle to lips  — Kiss me.
End of tips to lips  — Do you love me?
Dropping it  — I love you.